"There's Something in the Way She Moos" ¢ Tod C Steele This is my newest Etsy Print from one of my original acrylic paintings. You can see it at my ETSY store:Click Here To see some of my original paintings at Daily Paintworks: Click Here WEBSITE: www.iPaintAnimals.com |
Sunday, June 30, 2013
My New Etsy Print - "There's Something in the Way She Moos" by Tod C Steele
Monday, June 17, 2013
COW PAINTING ART DEMO - by Tod C Steele
I wanted to post a demo on a cow painting I just finished. Never have documented a paintings progress before - so this was kind of fun. If there is any interest I will do more in the future.
This 18x24" is bigger than I usually paint, but have been working larger lately and really enjoying it - it's a nice break from smaller work. This beauty from a herd north of us near Langlois, OR.
When I first started horns/antlers were a fun challenge, and actually, they still are. :-)
So I'm sticking with just the darks on her face here, blending in alizarin and green darks along with blue highlights. The topnotch is handled all at one time, as are all individual forms. The dark lines over the eyes are put in extra thick so it they be plenty wet to blend with the white that's a comin'.
Starting to lay in the lights on her face, keeping the strokes pretty much angular and sharp. This part is extra fun for me as she starts to come alive!
The foundation of the face is basically done and I dealt with most of the edges. My wife and mentor, (JM Steele aka Jeanne) taught me what her mentor taught her: "Edges are the Magic Bullet". Some edges are hard and sharp, some are soft ('Lost and Found'). This is pretty much intuition here, stepping back and squinting, seeing what area is boring and needs tending.
In my studies I learned that the Old Masters stressed that 'black' is anything but! If the 'blacks' are not made interesting with various other dark values - blues, greens, reds - the eye will immediately get bored with it. Make the blacks interesting! In fact, every part of the painting must draw interest from the viewers subconscious. You want the eye to linger here, there, everywhere. Same with the lights and white. Don't allow people to glance at your painting and say in their mind, 'Oh, that's just a cow...what's next?' Draw them in with exciting brushwork and interesting color and value changes! And of course....composition's kind of important too - lol.
Okay, so I'm getting darn close to done here. I have tried to make the edges on her body and each form varied and interesting. Oh....and her eyes! All of a sudden with light in her eyes she's looking right back at me and I'm really liking her - "She's alive! She's alive!" :-)
The background is done and after some drying time, white impasto paint is added with brush and knife on the white of her face and in her topnotch. I don't have her name yet, any suggestions? Often the name does not come until I start varnishing. I really, really like this beautiful girl!
Please contact me if interested in this painting. Many thanks. www.iPaintAnimals.com
This 18x24" is bigger than I usually paint, but have been working larger lately and really enjoying it - it's a nice break from smaller work. This beauty from a herd north of us near Langlois, OR.
I usually start with a form, such as nose or ear or top notch, and pretty much finish it before moving onto the next form. This is to take advantage of the wet acrylic as regards to blending.When I first started horns/antlers were a fun challenge, and actually, they still are. :-)
So I'm sticking with just the darks on her face here, blending in alizarin and green darks along with blue highlights. The topnotch is handled all at one time, as are all individual forms. The dark lines over the eyes are put in extra thick so it they be plenty wet to blend with the white that's a comin'.
Starting to lay in the lights on her face, keeping the strokes pretty much angular and sharp. This part is extra fun for me as she starts to come alive!
The foundation of the face is basically done and I dealt with most of the edges. My wife and mentor, (JM Steele aka Jeanne) taught me what her mentor taught her: "Edges are the Magic Bullet". Some edges are hard and sharp, some are soft ('Lost and Found'). This is pretty much intuition here, stepping back and squinting, seeing what area is boring and needs tending.
In my studies I learned that the Old Masters stressed that 'black' is anything but! If the 'blacks' are not made interesting with various other dark values - blues, greens, reds - the eye will immediately get bored with it. Make the blacks interesting! In fact, every part of the painting must draw interest from the viewers subconscious. You want the eye to linger here, there, everywhere. Same with the lights and white. Don't allow people to glance at your painting and say in their mind, 'Oh, that's just a cow...what's next?' Draw them in with exciting brushwork and interesting color and value changes! And of course....composition's kind of important too - lol.
Okay, so I'm getting darn close to done here. I have tried to make the edges on her body and each form varied and interesting. Oh....and her eyes! All of a sudden with light in her eyes she's looking right back at me and I'm really liking her - "She's alive! She's alive!" :-)
The background is done and after some drying time, white impasto paint is added with brush and knife on the white of her face and in her topnotch. I don't have her name yet, any suggestions? Often the name does not come until I start varnishing. I really, really like this beautiful girl!
Please contact me if interested in this painting. Many thanks. www.iPaintAnimals.com
Friday, June 14, 2013
Daily PaintWorks features Tod Steele's New Bird Painting
Daily Paintworks just featured my new bird painting on their Facebook page - cool!
To check it out: Click Here:
Have a great day!
Wednesday, June 12, 2013
Tod Steele's 'NEW' Work on Daily PaintWorks!
"The Eyes Have It" © Tod C Steele 6 x 8" Acrylic on board |
The above painting is of our pup, Lily Bell. In fact, I may have Lily write some of my posts when I get behind. She loves to help, is a hard worker, and her grammar continues to improve. Being as observant as she is in this painting, she usually has a better handle on what's actually happening than I do. Yeah, I think this is a good idea.....Lily will supervise this blog from here on out!
If interested in the above painting go to Daily Paint Works: Click Here!
To go to our website, www.iPaintAnimals.com
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